O Último Prefixo expresses a collection as it moves through its own cycle of life. First emerging in spring through living materials, the garments return at the beginning of Fall to be buried, mourned, and remembered. As matter that extends beyond the body, beyond usefulness, beyond the human need to remain productive.

The campaign translates the collection’s conceptual framework into a visual narrative of seasonal passage and material metamorphosis. Its images document the garments after their active relationship with the human body, presenting them as residues, remains, and agents of potential renewal. Through this process, the clothing is observed as it moves from body to body, appearing in editorials and experimental contexts that progressively alter its meaning, behaviour, and physical condition.

The final representation of the garments on the human body is therefore understood as Limbo: the last known manifestation of the collection before it extends beyond the limits of embodiment, utility, and human productivity.