The conceptual panoramic images are situated within an abandoned sanatorium, where two figures appear to float through the building’s corridors, rooms, and thresholds. Their movement unfolds as an ongoing negotiation with the architectural space, oscillating between melancholy, curiosity, and estrangement, our gazy eyes and steps into these Ruins in Valongo, Portugal, introducing  us to a Hide and Seek between us as a team, the models and every layer as a glitch in the physical realm of this site.

Multiple exposures were combined and blended manually to produce a 360-degree representation of the bodies and their environment, transforming sequential movement into a plastic representation of the Forth Dimension. 

The resulting panoramas disrupt conventional relationships between time, space, and corporeal presence: the figures appear multiplied, displaced, and suspended within the architecture.